00:00:00:00START

Stop losing feedback in
voice notes and long emails.

Review and approve video, audio and images. Every note pinned exactly where it belongs. Reviewers never need an account.

00:00:08:12HOW IT WORKS
01Paste a link or uploadPaste link / upload
02Share the projectShare project
03Get feedback
00:00:14:03DEMO
00:01:02:20FEATURES

Tools built for the way editors actually work.

A curated toolkit shaped by real post-production experience.Shaped by real post-production experience.

Feedback toolsFREE

Pin feedback exactly where it belongs with timestamped notes, frame annotations, range notes, voice notes and polls.

SceneNote also does… Screen recording · Image sets · Transcription · Viewer activity · Replies · Wipe comparison · Custom branding

Screen recording
Polls
Image sets
Transcription
Viewer activity
Replies & mentions
Wipe comparison
Custom branding

Free gets you far. Pro takes you further.

Compare Free and Pro →
00:01:40:00TESTIMONIALS

My team and clients love SceneNote! It makes the whole revision process so much easier. I spend less time managing feedback and more time being creative.

Sam KolderYouTube Creator, @koldstudios

SceneNote has become an integral part of how we edit for our YouTube channel. With editors across the globe, review has always been a challenge for us. The whole team can add feedback and ideas in one place, and it fits into how we already work.

Brian TrautmanYouTube Creator, SV Delos

Every note on the exact frame, straight into my timeline. It’s the first review tool my clients actually enjoy using.

Bryn NorthFreelance Filmmaker
00:02:30:00QUESTIONS

Questions

Yes. SceneNote does the core of what Frame.io does: notes on the exact frame, drawing, versions, and exporting notes to your timeline. The free plan is a real plan, not a trial. The big differences: you can review a YouTube or Vimeo link without uploading it, your reviewers only type a name, and Pro is one flat price rather than per member.

See how we compare →

No, and they never will. Anyone you send the link to can leave timestamped notes, draw on the frame, record a voice note and answer a poll, without signing in, being invited or installing anything. That’s true on the free plan and on Pro.

Paste a YouTube or Vimeo link, or a direct link to an .mp4 or .mp3 file. Link projects use none of your storage, and there’s no limit on how many you make.

Or upload video, audio or images. Uploaded video streams at whatever quality each viewer’s connection can take, so it plays smoothly on a phone or on fibre. A free account gets 5 GB of storage and two projects with uploaded files. Pro raises both.

Yes. Upload a set and review it one image at a time or as a grid. Click to pin a note to a spot, drag to mark an area, or draw on the picture. Every note stays anchored to the image, so it lands in the same place at any screen size. It’s made for thumbnails, key art, posters and grade stills.

A set holds 3 images on the free plan and up to 200 on Pro. On Pro you can also sort a set into folders, such as Thumbnails and Colour grade, and hang a set of stills inside a video project.

Yes: music, mixes, podcasts, voiceover and sound design. You get a real waveform straight away however long the file is, plus timestamped notes, voice notes and transcription (60 free minutes a month). Export DAW labels and your notes drop into Audacity or Reaper as markers.

Yes. Add each new cut as v2, v3 and so on, and switch between them above the player. Every version keeps its own notes, and older versions lock so reviewers always comment on the latest. A new version can be a link, which costs nothing, or an uploaded file. When a cut is ready, your client approves it on the spot, and the approval shows on that version.

Pro adds compare: watch two versions against each other with a wipe, side by side in sync, or an A/B flick between them. This is where colour work gets easier. Drag the wipe across the same frame and you see exactly what the new grade changed: skin tones, highlight roll-off, the weight of the blacks. No flipping between tabs and trusting your memory, and no arguing over two screenshots. Compare works on image sets too, so grade stills can sit side by side.

Yes, if you want to be. Click the bell beside your name in the project and add an email address, and you’ll hear whenever someone leaves a note. Every email has an unsubscribe link. Reviewers can do the same, and anyone subscribed gets an email when someone @mentions them. On Pro you can also set a feedback deadline, and reviewers who asked to be reminded get a nudge the night before.

Yes. Export EDL markers and your notes arrive as markers on the timeline in Premiere Pro and DaVinci Resolve. CSV gives you a spreadsheet with timecodes, authors, statuses and replies. Audio projects export DAW labels for Audacity and Reaper, and Copy all puts everything on your clipboard.

Turn it into a to-do list. On Pro, every project gets My board: a private, Kanban-style board, like a Trello board built right into your review. Pull your reviewers’ notes into columns you name and colour yourself (Colour, Music, Titles, whatever suits the job), add notes and checklists of your own, and move cards along as you work through them.

Tick a note off and it’s resolved in the project too, so your client can see it’s done. Reviewers never see the board itself. On the free plan you can open a sample board and try it.

00:03:00:00FADE OUT

This is how feedback should work.

Free. No account for your reviewers.